In
‘The Odyssey’ Book X, Odysseus lands on the island of the ‘polypharmakos’ (one
who weaves many drugs into potions) Circe, who lives in exile without a father,
or brother, or male guardian to protect her.
Seeing
smoke rising from her chimney, some of Odysseus’ crew set out to investigate.
Coming close to her hall, they are drawn by her singing, as she sits and weaves
at her giant loom. All but one enter her hall, whereupon she bids them eat and
drink drug-infused fare, and then transforms them into pigs, and corrals them
in her sties.
This
is a pre-emptive defence, based on years of ships’ crews landing, coming to her
door, revealing in their eyes intention to take first her body, and then her
treasured possessions, for themselves (see Virgil’s ‘Aeneid,’ Ovid’s
‘Metamorphoses’—and, for a beautiful modern retelling of Circe’s story, see
Madeline Miller’s ‘Circe’).
Informed
of their fate by the one more wary sailor, and both instructed and protected by
the god Hermes, Odysseus confronts Circe and forces her to return his crew to
human form.
In
Christopher Nolan’s new big screen adaptation, she does so saying, hauntingly,
‘Return to your disguise, Return to your disguise.’
(For
a contrasting view, Plutarch’s ‘Moralia’ (Book XII, 67) contains ‘Beasts are
Rational’ (Bruta animalia ratione uti) in which Circe permits Odysseus to have
a conversation with Gryllus, a fellow-Greek transformed into the body of a pig
while retaining the mind of a man, in which Gryllus argues that his life is
happier in his present state, and that pigs are more noble than men.)
(An
aside: I have written elsewhere about the wider parallels between ‘Odyssey’
chapter X and ‘Luke’ chapter 8.)
In
‘Journey to the West’ the General of the Heavenly Navy-soldiers, or marine
commandoes, is thrown out of heaven for drunkenly attempting to seduce the moon
goddess. Falling to earth to be (re-)incarnated, he lands in a well for
watering pigs, and takes on a monstrous half-human, half-pig form. Many years
later, this lazy, gluttonous, lustful being encounters the personification of
Mercy, and is given the name Zhu Bajie, or Pig Awakened to Abstinence—that is,
to the power and ability to exercise self-control.
Both
stories, one 3,000 years old from Greece, the other 500 years old from China
(though each sits within traditions that weave them into both earlier and later
texts) employ zoomorphism to explore the shadow personality we try to hide; the
true, or noble, form of a healthily integrated life; and the possibility of
transformation—in either direction. Neither story arises within a Christian
context, but both speak to the Christian concepts of vices—including lust,
gluttony, and laziness—and virtues—including chastity, temperance and
diligence.
Appetite
is common to humans and other animals. To become fully human is not to
transcend appetite but to learn mastery—leadership, captaincy—over our
appetites, which can make for good companions but sometimes make unwise choices
(such as Odysseus’ men letting the wind that had carried them to within sight
of home out of the bag, blowing them back from where they had come, before they
arrive at Circe’s shore). There is a nobility to this, that does not arise from
status among men (or pigs) but is inherent to every creature—human, pig,
otherwise (so, at the end of the ‘Journey to the West,’ Zhu Bajie, who has not
yet fully embraced the virtues of Abstinence, is not given back his divine form
but remains half-human, half-pig, and is restored to the lower, earth-bound,
rank of Cleaner of the Altars).
We
are also more than capable of debasing ourselves and becoming what we are not
(whether or not pigs are more noble than humans; whether or not men make very
good pigs). Of needing to be saved from our own actions, or intentions—even
unacted on—by Mercy intervening to protect others and to send us into an experience
of desolation and of consolation—of coming to the full, terrible, consequences
of our lostness, and to the re-orienting, re-conferring promise of grace, that
points us towards the homecoming we long for, and strengthens us for the
still-long and at times arduous journey it will take to get there.
Every
culture has to wrestle with such things. And every tradition—including faith
traditions—has a framework for this work.
Where
have you seen yourself, with newfound clarity, for less-than fully human?
And
where have you experienced the intervention of Mercy, to restore you to
humanity?
What
practices have you found helpful in engaging with this process?
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