There’s a small plinth outside Sunderland
University’s Fine Art building for displaying a rolling programme of work.
Currently on display, Su Devine’s Fragmentary, a mother’s blouse and
young girl’s dress, cast in what to my utterly untrained eye looks like
fibreglass.
It speaks to me of the adventurous
relationship between God’s trustworthy, playful Spirit, and my trusting,
playful spirit—or, at least, the possibility, a mystery experienced
infrequently, in small and indeed fragmentary moments when I dare to be present
to the One who is fully present, if invisible, hiding in plain view.
I could wander off the direct path and stand
in front of it for hours, minutes, outside of time passing—and today, I did.
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