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in February we went on a family outing to see Hidden Figures, the film based on Margot Lee Shetterly’s
non-fiction book about Katherine Johnson, Dorothy Vaughan, Mary Jackson, and
the many other women, both black and white, whose work at NACA and later NASA
helped America to win the Space Race.
Initially
Jo had thought it might be a good film to take Susannah to see, but on second
thoughts felt that Noah and Elijah needed to see it too. As the credits rolled
and we stood up to leave the cinema, the boys declared, ‘That was fantastic!’
and, ‘When that comes out on dvd, we need to get it!’
Inspired
by the film – which is excellent but, as the nature of the medium requires,
conflates story- and time-lines – I bought the book, which is a masterpiece of
research, as readable as it is meticulous.
On
a day off, I was sitting in a local café reading it when a waitress came over
and enthusiastically asked if I had seen the film. We got chatting, and I
recommended the book to her. I recommend it to you, too.
I
passed the book on to my daughter, and she showed it to her History teacher.
The
lives of Katherine Johnson, Dorothy Vaughan, and Mary Jackson weren’t exactly
hidden. From the outset, for propaganda reasons, NASA conducted its work in
public. And these and other women also worked tirelessly in their locality and,
in time, far beyond, to inspire and raise up future generations to overcome
gender- and racial-barriers in pursuit of new horizons. It is more that they
were overlooked. It is more that their stories weren’t gathered and recorded, deployed,
and told in a unifying narrative that wove together apparently unconnected
trails like pages and pages of elegant equations advancing towards a
breakthrough that changed the game forever. Until now. That is what Margot Lee
Shetterly has done, in her extraordinary history.
These
stories deserve to be told, and heard. To be celebrated. They have the power to
inspire far more than future scientists. They have the power to inspire future
life itself, in all its diversity.
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