That
piece of church furniture we call the altar—the table at which we make our
memorial of Jesus’ offering up of himself once for all, and, in response, offer
up our own sacrifice of thanks and praise—is marked by five crosses, one in
each of the four corners and one at the centre-point, recalling the five wounds
of Christ on the cross: the nail-piercing of his wrists and ankles, and the
spear thrust up through his ribs to burst open his heart.
For
most of the year, these crosses are covered by a fine linen cloth, but on
Maundy Thursday we strip the altars bare, exposing them until the altar is made
ready again to celebrate on Easter Sunday.
This
photo is of the stripped altar in the Lady Chapel at St Nicholas’. I love its
elegant, elongated form.
These
crosses, beautifully tactile, usually hidden from view, are just about my favourite
piece of symbolism in the symbol-rich Christ-shaped imagination of the Church.
Our hands, our feet, our heart, none of which escape wounding, are to be
conformed to his likeness. What we do, where we go, and what motivates us, not
for our glory but, for the most part hidden, one with him. Our mandate, to love
one another, as he has loved.
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